对客家山歌歌词的系统功能分析

【外文题名】A Systemic Functional Analysis of the Lyrics of Hakka Folksongs

【作者】 吴卓丹

【关键词】 客家山歌 系统功能语言学 语域 语篇体裁

【外文关键词】 Hakka Folksongs Systemic Functional Linguistics Register Genre

【导师姓名】黄国文

【学位名称】硕士

【学位年度】2007

【学位授予单位】暂无

【所属分类】I207.7,C93,03,J614.9

【录入时间】2007-01-01

【全文挂接】 读秀挂接

【摘要】民众的客家山歌。主要通过系统功能语言学的意义和结构两方面对客家山歌的歌词进行了分析研究。通过及物性分析表明：物质过程在爱情主题的山歌中大量使用，用于表达歌唱者对爱情的情感和经历；存在过程主要用于叙事主题山歌，用于描述现象和日常生活；关系过程和行为过程在构建山歌歌词的语义意义中起了重要作用；心理过程和言语过程极少在山歌中被使用。通过语气和情态分析表明：陈述语气在山歌歌词中大量使用，用于描述歌唱者的个人经历以及他们对生活各方面的感受和看法；肯定陈述语气在山歌歌词中是占最大比例的。相比之下，疑问语气则较少使用，歌唱者一般采用疑问语气的方式来使歌词表达形式显得更活泼，同时，疑问语气的使用可以缩短歌唱者和听众之间的距离。祈使语气一般在一些建议或号召大众的山歌歌词中使用。通过主位分析表明：标记性主位和无标记性主位在山歌歌词小句中都大量被使用。无标记性主位主要用语陈述句，标记性主位主要在祈使句中，以激励和鼓舞面对挫折困难的民众。通过对语篇体裁的分析表明：在山歌对唱的语篇中的每首山歌歌词的小句有相同的结构，标题包括最高层次的宏观主位，歌词内容包括宏观主位，超主位和新信息。在山歌对唱整个语篇中，每一首歌具有其各自的目的，但每首歌在整个语篇中又是相互联系的。通过对客家山歌歌词的研究分析，验证了这一理论是适合于客家山歌歌词这一特殊汉语语篇的，表明系统功能语言学是一种有效的可行的分析方法，这一方法不仅适应于英语语篇，对于汉语语篇的分析也同样具有良好的实践意义。同时，通过运用系统功能语言学研究客家山歌歌词，为研究客家山歌的学者提供了一个新的研究视角，也为读者欣赏客家山歌提供了一个新的角度。...

【外文摘要】　 Hakka folksongs are rich in content, dealing with the labor, love affairs, marriage, despair and hardships of the underprivileged, and protests against tyranny and war in Hakka people’s daily life. This dissertation aims to make a detailed analysis of the lyrics of Hakka folksongs in Meizhou city in a Systemic Functional Linguistics (SFL) perspective. This dissertation focuses on their semantic and structural relationship. Semantically, the analysis of transitivity reveals that the material process is the dominant process in love folksongs. The existential process is mainly used in narrative folksongs. The relational process and the behavioral process also hold great importance in constructing the semantic meaning. The mental process and the verbal process are seldom used in the lyrics of Hakka folksongs. The analysis of mood and modality shows that the declarative positive mood occupies the largest proportion in the lyrics of Hakka folksongs. The interrogative mood is less frequently used. The usage of the interrogative mood can shorten the distance between the singers and the listeners. The imperative mood is used to uplift people when they encounter frustrations or difficulties. The analysis of theme indicates that the unmarked theme and the marked theme are both largely used in the clauses. Unmarked themes are usually adopted in declarative clauses and marked themes are used in imperative clauses. Structurally, through genre analysis, it is shown that the clauses in the lyrics of each song in the context of folksong competitions have the same structure. In the folksong competition, each song has its own particular purpose and is consistent in contents.This study demonstrates that SFL is practical and appropriate for the analysis of Hakka folksongs and is an effective and operational way for discourse analysis for Chinese texts. Meanwhile, it provides the scholars with a new linguistic perspective to study the lyrics of Hakka folksongs and provides the readers and listeners with a fresh way to appreciate them....