客家迁徙与刘三姐传说传播

【外文题名】The Relationship Between the Hakka Migration And the Spread of Liu Sanjie Story

【作者】 梁新龙

【关键词】 刘三姐传说 客家 迁徙 山歌 文化

【外文关键词】 Liu SanJie story Hakka migration folk songs culture

【导师姓名】蒋明智

【学位名称】硕士

【学位年度】2012

【学位授予单位】暂无

【所属分类】I207.7

【录入时间】2012-01-01

【全文挂接】 万方挂接 读秀挂接

【摘要】史记载出发，对刘三姐传说地与其族属追根溯源，探寻历史传说中刘三姐的身世与传唱者的汉族属性。继而对刘三姐当代传唱区域中的民族成分进行分析，发现其传唱地大多是或曾经是汉族客家民系的聚居地区，进一步对如今刘三姐的壮族身份进行质疑。之后以文化传播的规律为依据，论证广西的刘三姐传说来自广东，壮族及其它少数民族中的传说来自当地客家或其它汉族，这一民间传说传播的发生主要是随着历史上两广客家人的迁徙而完成的，在其迁徙路经地的传说中可以发现多处都与文化的传播规律相暗合。另外，从传唱的山歌本身来说，其主体的七言四句形式与壮语歌谣的主要形式存在着很大的区别，而与客家山歌的主要形式保持了一致；在艺术技巧上，则多保留并发展了《诗经》以来的赋、比、兴手法，是古中原传统民歌的延续；从内容上说，刘三姐所唱的歌谣多与国内其它汉族地区的山歌相重合，尤与广东客家山歌关系密切。其山歌保留汉族山歌的情恋等方面的母题，仍然传达着华夏民族一以贯之的文化心理与文化性格。最后，就刘三姐传说所传达的文化内涵来讲，传说中刘三姐形象是典型的客家妇女形象，传说中关于“才女”、“秀才”形象的描绘是客地崇文重教思想的反映，被认为肇始于或是纪念刘三姐的壮族三月三歌节其实来源于古中原上巳日习俗，刘三姐传说与此关系密切。所以，客家地区无疑乃是孕育刘三姐传说的母体。...

【外文摘要】The story of Liu SanJie is a famous legend of south China, which came from Hakka and then spread in the minorities of Lingnan, worshiped by the people all over this area. But her true identity was changed because of the twice capital operations on folk culture ever since the 50s, her name became the culture logo of the Zhuang nationality, and faded in Hakka. This paper starts from the historical records to trace the identity of Liu SanJie. Then analyses the ethnic composition of the areas which the story’s shared, we realize that most of these areas now are the inhabited areas of Hakka. Next, according to culture dissemination rule, we prove that the stories of Guangxi came from Guangdong, the stories of Zhuang came from Hakka, spread by the migration of the Hakka. In addition to this, the main form of the folk songs sang by Liu SanJie is seven-words four sentences, it distinct from the principal form of Zhuang songs, but the same as Hakka Folksong. On the other side, these songs preserve the traditions descended by the Book of Songs. In content aspect, many of the songs have their prototypes in other Han nationality areas in China, especially in the Hakka area in Guangdong. Yet the love motif of the songs convey the culture psychology of Han people. At last, in terms of the cultural connotation of Liu SanJie’s songs, the image of Liu SanJie in the story is the typical image of Hakka women, the depiction about the talent of the protagonist is the reflection of the education here valued by the Hakka, the Songs Festival(also known as “March”)created by Liu derived from the Shangsi Day custom. So Hakka area is undoubtedly the matrix of this story....