梅县客家山歌的历史和现状调查研究

【外文题名】The Research for the Historical Evolution and Contemporary Development of Hakka Folk Songs in Meixian

【作者】 温丹妮

【关键词】 客家山歌 原生态 多元化

【外文关键词】 Hakka Folk Songs The original ecological diversification

【导师姓名】王义彬

【学位名称】硕士

【学位年度】2009

【学位授予单位】暂无

【所属分类】J607

【录入时间】2009-01-01

【全文挂接】 知网挂接 万方挂接 读秀挂接

【摘要】，产生了“墟镇歌手”和听众，歌手身份开始从隐蔽转向了公开。 二、梅县客家山歌的当代研究。笔者将其划分为“1949年至1977年部分”、“1977年至1987年部分”、“1988年至2008年部分”，在这三个时期山歌在官方舞台上也经历了三个黄金时期：1.出现了“新山歌”，民间的山歌活动遭到禁止；2.由于官方对民众意识形态控制的放松，民众对山歌表现出了前所未有的热情；3.官方山歌成为梅县作为对外宣传的活名片，而民间的山歌则朝着多元化的方向发展着。 三、对前面论述部分的总结和梅县山歌前景的展望。 结语，在原始材料和各部分理论总结的基础上，归纳出一个结论：从历时性的角度看，梅县客家山歌的发展与当地各个时期的政治、经济等社会环境密切相关。当社会环境变迁时，客家山歌也会发生相应的发展与变迁。从共时性的角度看，每个时期的歌手与听众对待客家山歌的观念也对客家山歌的发展趋势产生了影响。...

【外文摘要】The full text was made of three parts to discuss the history and status of Meixian Hakka folk songs. First of all, the history of Meixian Hakka folk song! The author would like to divided it into two parts---before 1920 and after 1920 to discuss! The Hakka folk songs before 1920 are mainly the traditional love songs or songs of labor! The singers are mostly the working people who need to work on the mountains! The government and scholar treated the folk songs with contempt! The folk song of revolution and folk song of towns appeared after 1920! So as the town folk song singer and listener! The identity of singer became exoteric! Second, the contemporary research of Meixian Hakka folk songs! The author divided it into three parts---1949 to 1977, 1978 to 1987 and 1988 to 2008! In these three periods, the folk song came through three golden ages on the official stage: 1) the appearance of new folk songs, civilian folk songs were interdicted by the government; 2) Because of the official ideology on the population-controlled relaxation, people's folk songs have shown unprecedented enthusiasm 3) Official folk song has become as foreign propaganda Meixian live card, and folk songs are moving in the direction of developing a diversified. Third, Expositions on the front part of the summary and outlook Meixian folk songs. In conclusion, in the original materials and the various parts of the theory on the basis of summing up, sum up a conclusion: From the diachronic point of view, the development of Hakka folk songs Meixian with various periods of local political, economic and other closely related social environment. When the social environment changes, the Hakka folk songs will also happen with the development of corresponding changes. From the synchronic point of view, each period with the audience singing Hakka folk songs treated the concept of the development trend of Hakka folk songs had an impact....