文化互动与边际写作

【外文题名】

【作者】 张源

【作者联系方式】

【关键词】 林海音 多元互动 “家本位”意识 女性认同 边际写作

【外文关键词】 Lin Haiyin multiple interaction "home oriented" idea recognization of female's status marginal writing

【UDC】

【导师姓名】黄发有

【学位名称】硕士

【学位年度】2005

【学位授予单位】暂无

【所属分类】I206.6

【录入时间】2005-01-01

【全文挂接】 知网挂接 万方挂接 读秀挂接

【摘要】创作中的审美转换。 第一章,多元交融的文化乳汁。本章以“文学溯源”的形式,剖析了林海音在复杂的生活履历中对诸种文化因子的接受过程,即闽客移民血统的文化传承、新旧时代转型中的京城视野、孤岛情怀与孤儿情结对作家的交互影响与深层渗透等,这些多元的文化潜质是催发林海音独立的文学探索的精神厚土,给她的艺术创作提供了源源不断的精神滋养,以致成为林海音的文学作品中潜滋暗长的文化底蕴。 第二章,穿越劫波的精神方舟。林海音身上多元的文化基因并非是相互游离的精神元素,而是在反复撞击的过程中构成了一个互动的文化体系,这突出地体现为由客家人的“反客为家”理念、传统文化的“人伦和谐”追求、双重孤独的情感需求所共同促成的“家本位”创作体系。本章分别从残缺之家与缺失体验、重组之家与人伦期待、血缘之家与亲子之爱等三个方面,分析了林海音作品背后的道德取向,进而透视“家”的文化皈依色彩——在林海音心里,“家”是穿越劫波的诺亚方舟,是兑现文化诉求的精神依托。 第三章,进退两难的女性认同。传统文化中“回归家庭”的女性自觉定位和现代文化中“走出家庭”的女性解放精神的背谬,以及现代中国女性在现实中普遍遭遇的家庭角色与社会角色的冲突,使得林海音的女性认同陷入了进退两难的境地。本章主要通过对传统女性困守于家庭的悲剧、现代职业女性以牺牲家庭幸福的代价追求个人事业解放的悲哀、女性普遍困境的历史渊源等方面的分析,阐释了林海音独特的女性观,即折中地强调女性应在双重角色之间寻求平衡的支点,以实现个人的人格独立与家庭的两性和谐,但在理想与现实的夹缝中,林海音常常挣扎于犹豫表达与完美假定中。 第四章,边际人格与边际写作。本部分借助社会学中的“边际人”概念,透 ...

【外文摘要】In the history of Taiwan female literature, Lin Haiyin is an indispensable and important landmark figure. Her peculiar life experience and diverse cultural identity which are intermingled and interactively expressed in her works made her "This one" in the literature history. Adopting the method of cultural criticism and aesthetic criticism via care reading on the works of Mrs. Lin Haiyin , this article seeks to probe into the in-depth influence cultural diversity places on the literary creation then further reveals the aesthetic transformation of the complex cultural identity in literary creation.Chapter one,the interweaving of diverse cultures. This chapter analyzes and explores the acceptance process to various cultures of Lin Haiyin in her complicated life experience, viz culrural inheritage from the descent of Min and Hakka migrant ;the metropolitan view in the new-old era transitional period; the interacted influence and infiltration from feelings of life on the remote island and orphanage complex ,which are the fertile spiritual sources of Lin's independent literary nutrition, and also the endless spiritual wealth which further became the hidden cultural denotations of Lin's works.Chapter two, deals with the spiritual embodiment of surveying difficulties. The multiple cultural basis of Lin Haiyin are not separated from each other. Instead, after repeated conflict, they developed into an interactive cultural system, which is clearly embodied in the "home-oriented "creative system promoted by the "Hakka people's" concept of "changing from Ke(guest) into Jia(home)", the traditional pursuit of harmony between human relations and the dual-lonely emotional needs. From threeaspects- the incomplete home and the experience of lacking, reformed home andhuman expectation, blood relationship and the parents' love-this chapter analyzesthe moral tendency in Lin Haiyin's works, so as to probe into the cultural spirit of "home", by which, according to Mrs. Lin, "home" is the Noah's Ark to overcome difficulties, and the spiritual support to meet the cultural demand.Chapter three, the dilemma of recognizing female's status. The female's conscious orientation of "withdrwal to family" in traditional culture is in conflict with their liberation of "freedom from family" in modern culture. What's more, in reality, modern Chinese female are confronted with the conflict of their respective role in family and in society. Both factors render Mrs. Lin into a dilemma as to recognizing female's status. In this chapter, after analyzing the tragedy of traditional female confined to family, professional women's sorrowful struggle to pursue success in career at the cost of family happiness, and the historical origin of female's common trouble, this chapter explains Lin's unique view of female. Lin holds that female should try to find the balance between their dual roles, so as to achieve their independence of personality and the harmony within the family. However, faced with the conflict between ideal and reality, Lin often find in a state of uncertain expression in contrast to the ideal assumption.Chapter four, "marginal personality "and "marginal writing". With the concept of "marginal person" in sociology, this chapter digs into Lin's "marginal personality" and further discusses the special significance of her "marginal writing". In her complex life, the successive tempo-spacial changes and the multiple shift of cultural roles rendered Mrs. Lin into a repeated state of "being middle" which is difficult to eliminate. This "being middle" state was shown in two aspects. Firstly, in her novel writing, she often adopts the view of bystanders, the interactive view of trans-generation, and the "he" view loyal to the ego, to establish the variable "aesthetic pattern of distant view". Secondly, in her original essay writing, she focuses on the hesitative affection of considering Peking or Taiwan as hometown and the feeling of man traveling in a place far away from home, so as to express the either world but is loyal to both worlds. In all, this "marginal" state in writing is the result of interaction of her multiple cultural roles. ...