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广西民族图形在生态博物馆建筑局部装饰设计中的运用研究

作者:邓世维 日期:2012.01.01 点击数:9

【外文题名】Guangxi National Figure in Ecological Museum Local Decorative Design Application Research

【作者】 邓世维

【关键词】 广西民族图形 建筑局部装饰设计 运用研究 生态博物馆建筑局部装饰

【外文关键词】 GUANGXI Ethnic graphics local architectural design and decoration the use ofresearch Eco museum building local decorative

【导师姓名】李雅日

【学位名称】硕士

【学位年度】2012

【学位授予单位】暂无

【所属分类】J525

【录入时间】2012-01-01

【全文挂接】 知网挂接 读秀挂接

【摘要】革创新,不断解放和发展少数民族文化生产力。”并强调:“要加快少数民族和民族地区公共文化基础设施建设,加大对少数民族文艺院团和博物馆建设扶持力度。”同时,在《国务院关于进一步促进广西经济社会发展的若干意见》(国发{2009}42号)文件中,提出“大力发展文化体育事业。深入挖掘民族文化资源,加强文化艺术遗产和非物质文化遗产保护。”遵循这两条政策,深度挖掘民族文化并加以运用,使其不断发展创新,以体现中国民族艺术文化的魅力是笔者研究课题的初衷。民族图形是民族地区文化精神的载体,是一种文化符号。民族图形丰富的民族文化内涵及独特的视觉魅力是设计资源的宝库。淳朴的少数民族用刺绣、扎染、编织等方式记录了他们的民族图形,表达了他们的生活习俗、宗教信仰以及对生活的美好希望。笔者走访了广西、贵州、苏州等地区,经过对广西融水苗族生态博物馆、广西南丹白裤瑶生态博物馆和广西贺州客家莲塘围屋生态博物馆深入调查后,发现生态博物馆的发展趋势需要建筑的更新,但其经济文化条件的研制,不适宜大规模改建建筑,就此提出了将广西民族图形在生态博物馆建筑局部装饰设计中的运用研究。通过分析广西民族图形更新的意义、生态博物馆对民族图形在建筑局部装饰设计的审美需求以及广西融水苗族、白裤瑶以及贺州客家的民族图形的运用现状,阐述了广西民族图形在生态博物馆建筑中运用的必要性。民族图形的演变与再生包括民族图形的造型原理及构成方法两个方面,通过想象再造、提炼抽象和解构重构的造型原理和单独图形、重复连续和自由组合的构成方法,民族图形在运用中不断演变与发展。为了使设计达到理想的效果,民族图形的运用流程需经过了解设计主题、综合元素,精心构思、调整统一、确立装饰风格、把握艺术形式这一系列步骤的反复斟酌。民族图形的具体运用方法笔者针对前文中带对民族图形运用现状提出的困惑,借鉴苏州拙政园、苏州博物馆新馆中的优秀案例以及对各地民族图形的深入分析总结了直接运用、简化变异、平面与立面的形式置换、材料与技术的表现、色彩转换及图形文化意象表达这几种主要方法。为了进一步论证本文“民族图形在生态博物馆建筑局部装饰设计中的运用”相关观点,笔者引白裤瑶图形在生态博物馆建筑局部装饰设计中的运用表现加以例证。通过多次对广西南丹白裤瑶生态博物馆管辖区的实地考察,对白裤瑶图形在生态博物馆的展示中心建筑局部装饰设计运用现状进行分析,其现状及发展趋势对民族图形的运用有强烈的需求。总结吸取白裤瑶图形在王尚屯的新民居建筑局部装饰设计中运用的优秀经验,并对白裤瑶生态博物馆展示中心的建筑局部装饰设计的虚拟方案展开论述。本文通过对贵州、广西、苏州的实地考察收集大量一手资料,结合对苏州拙政园、苏州博物馆新馆等传统优秀例作的方法分析,对搜集的少数民族图形深入分析创造,并辅以白裤瑶图形的运用设计实例,结合理论分析强劲有力的论证了本文论点,使观者清晰扼要的理解掌握本文理论。本文的主要特色与创新主要体现在两个方面;一是本文选题的创新。民族图形的应用与创新国内有许多相关著作,大都将民族图形的应用设计聚焦于平面设计、产品设计等方面,在建筑方面的著述主要集中在对中国传统建筑中的民族图形研究与分析,而民族图形在建筑局部装饰设计中的运用少有深入研究的相关文献。希望本能抛砖引玉,引起更多的关注。二是本文研究的视角独特。对于体现建筑局部装饰设计的民族本土性研究,眼光大多聚足现代发达城市或国际事宜中的代表建筑。而对于偏远少数民族地区,由于受到地区物质条件、文化条件和经济发展限制研究者少有涉足,而恰恰这些地区蕴育了中华民族特有的璀璨图形资源。民族生态博物馆本身即为新生产物,随着其日渐发展壮大,它在民族图形资源中所拥有的得天独厚的优势,如不好生运用,实属文化资源的极大浪费。本文积累了笔者近几年在各地的调研成果,拓展和丰富了民族图形运用研究视角的全面性。...

【外文摘要】With the influence of ideas of Western modernist design, the design and world design is the growing convergence of national character design is still not enough attention and appreciation. How to promote the local design, we can find the answer to the question in a national cultural treasure of China the flowers are blooming.Objectives and tasks of the State Council on the further prosperity and development of minority culture (Guo Fa [2009] No.29), said:"respect for differences, inclusive and diverse, not only to inherit, protect, promote minority cultures, but also To promote national culture and learn from each other, strengthen exchanges and harmonious development. insist on facing the modern world, facing the future, follow the law, keep its national character of the times, to promote reform and innovation of the minority culture, and keep releasing and the development of minority culture productivity."and stressed:" To speed up the ethnic minorities and minority areas of public cultural infrastructure, and increase efforts to support ethnic minority art troupes and museums building."the same time, the State Council on further promote Guangxi’s economic and social a number of opinions "(State of the{2009}42) file," vigorously develop the cultural and sports undertakings. dig the ethnic and cultural resources, to strengthen the cultural and artistic heritage and intangible cultural heritage protection."Follow these two policies, the depth of excavation of national culture and use them to make it continuously developed to reflect the charm of Chinese folk art and culture is the author the original intention of the research topic. National Pattern is a cultural carrier of the spirit of the ethnic areas, is a cultural symbol. National graphically rich cultural connotation and unique visual appeal is a treasure house of design resources. Honest minority recorded their ethnic graphic with embroidery, tie-dye, weaving, etc., expressing their lifestyle, their religious beliefs and a better hope of life. I visited Guangxi, Guizhou, Suzhou and other regions, after the Longhorn Miao, Guizhou instigate Karma Eco-museum, Nandan, Guangxi Bai Ku Yao Eco-museum, and Guangxi Hakka Liantang Kakoiya Eco-museum, I found the local ecological museum building decoration design lack of contemporary and ethnic characteristics can not highlight the eco-museum building was the theme put forward a national graphics in the eco-museum building local decorative design.Nandan, Guangxi Bai Ku Yao apparel graphic use of color is the status quo and the Hakkas Kakoiya graphics cultural use of the status quo status quo through the use of the Longhorn Miao, Guizhou instigate Karma graphical modeling, analysis, the author proposes some confusion in the use of the status quo local decorative design of the eco-museum building has a very vague expression for the eco-museum architectural theme, the use of national graphic prevalence of three major issues, First National Pattern "form" expression of vague national graphic color has not been adequate or appropriate applications, is the lack of national graphics cultural expression coherence of logic. Shows that the national graphics in the eco-museum building local decorative design study a lot of space, the use of the design, the shape of national graphics, color, culture, constantly updated. For the purposes of the national graphic communication, art, performance and heritage significance of positive development.National graphic evolution and regeneration, including the modeling principle and constitutes a method of two of the national graphics imagine recycling, refining the abstraction and deconstruction of the reconstruction of the shape of principles and a separate graphics, repeat the continuous and the composition of the free combination, national graphic in the use of evolving with the development. In order to enable designers to achieve the desired results, the use of national graphic processes are subject to learn more about the design theme, elements, well-conceived, adjust the unified to establish the decorative style, grasp of the art form in this series of steps repeated discretion. Concrete application of the national graphics I for previously confused with the status quo of national graphics use and learn from Suzhou Humble Administrator’s Garden, Suzhou Museum in outstanding cases, as well as in-depth analysis of the graphics around the nation summarizes the direct application to simplify the variation the performance of the plane in the form of replacement and facade materials and technology, color conversion and graphics cultural image to express these types of methods.In order to further demonstrate the "National Pattern in the Eco-museum of local architectural decoration design related point of view, the author cited in Bai Ku Yao graphics performance in the eco-museum building local decorative design to illustration. Through site visits Nandan, Guangxi Bai Ku Yao ecological museum jurisdictions, the status quo of Bai Ku Yao graphics in the eco-museum’s visitor center building local design and decoration use to analyze their situation and development trend on the use of national graphic intense needs. Sum up the lessons of excellent experience in building local decorative design of the virtual program of the Eco-museum exhibition center in Bai Ku Yao Bai Ku Yao graphics use in the local design and decoration of the king still new residential building in Tuen discussed.This article by Guizhou, Guangxi, Suzhou, field trips to collect a large number of first-hand information, combined with the traditional Suzhou Humble Administrator’s Garden, Suzhou Museum outstanding cases for in-depth analysis to create minority gathered graphics, supplemented by white pants Yao instance of the use of graphic design, combined with theoretical analysis demonstrated strong argument in this article, so that the viewer clear, concise and to understand and grasp the present theory.The main characteristics and innovation is reflected in two aspects:First, the innovation of the proposed topics. National graphics applications and innovation in the domestic many books, most of the national graphics design focused on graphic design, product design, the writings in the construction industry is mainly concentrated in the national graphics research and analysis of traditional Chinese architecture. National Pattern in the local architectural decoration design rare in-depth study of literature. Hope instinct initiate more attention. Second, the unique perspective of this study. Reflect the local architectural design and decoration of the national and local research, the vision of most of the poly foot modern developed city or in international matters on behalf of construction. For remote ethnic minority areas, due to regional material conditions, cultural conditions and economic development to restrict researchers rarely involved, but rather these areas breeds unique bright graphics resources of the Chinese nation. National Ecological Museum is the newborn product, with its gradual development and growth, it have a unique advantage in the national graphics resource, such as poor students to use, it is a great waste of cultural resources. The accumulated research results of the author in recent years around the expand and enrich the national graphic use of the comprehensive research perspective....

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