江西万载潭埠鼓吹乐“得胜鼓”的调查与研究
【外文题名】The Study of Wind-and-percussion Music "Deshenggu" of Tanbu Town
【作者】 程璐怿
【外文关键词】 Deshenggu Cultural ecology Music ontology analysis Heritage
【导师姓名】傅利民
【学位名称】硕士
【学位年度】2010
【学位授予单位】暂无
【所属分类】J607
【录入时间】2010-01-01
【摘要】的追踪调查。本文主要从五个方面考察该乐种,首先,第一章“历史构成”章节通过史学研究方法中文献记载和口述历史两种方式对得胜鼓的历史发展进行梳理与分析,第二章,采取乐种学的研究方法对乐种的物质构成进行考察,其中包括乐器、乐队组合形式以及所演奏乐曲考察;第三章,从民族音乐学的研究角度出发,考察得胜鼓在当地民俗中的运用情况;第四章,具体分析得胜鼓的音乐构成因素,将现存的使用频率较高的几首乐曲进行分析,意图找出得胜鼓乐曲中的规律性特点,并在此得出结论:当地乐曲分为当地土著音乐和客家“灯彩”音乐两种特征,两者在使用的程序上有着严格区分。但从礼俗的实地考察中发现,得胜鼓所演奏曲牌仍以当地土著音乐为主。第五章,笔者从得胜鼓传承现状的调查引申出对我国传统音乐传承现状的思考。笔者认为,如今传统音乐的传承主要分为“自我”传承和“他者”传承,并体现出“二律背反”的哲学思想。...
【外文摘要】In June 7,2008, WanZai Deshenggu has advocated by state council as the second batch of state-level non-material cultural heritage protection. This topic research aim is to place a advocated by the Deshenggu music, case study Wanzai of JiangXi province in the development situation of Deshenggu.The author, after two years of research methods of Instrumental ensembleand and the relevant research theory Ehnomusicology, with the Deshenggu as the research object, and more than 10 times the tracking examination. This article mainly from the five aspects of the subject: First, the first chapter "history" section through the historiographical approaches of oral history records and documents in two ways to overcome the historical development of Deshenggu carding and analysis. The second chapter, take music study method of kind of material composition, including instrument, the band combination and play music. The third chapter, from the Angle of research Ehnomusicology, overcome the application in the local folk. The fourth chapter, specific analysis of the Deshenggu constitute factors existing in higher frequency used several songs were analyzed, purpose to find the characteristics and regularity of music in this conclusion: The local music and music into the native hakka "music" two lighted——But judging from the use of the occasion, with native music. Chapter 5, from the survey of Deshenggu inheriting traditional Chinese music for a heritage, The author thinks that can use the anthropological "self——he" proposition, will now inheriting the traditional music mainly divided into "self" and "other" inheritance.Both have their pros and cons, manifests "antinomies" philosophy....